Men's Dance. Photo taken by Kaveh Kardan, http://www.kardanphotography.com
Compared to Shakespeare's "Romeo and Juliet" and "Macbeth," "Pericles" certainly isn't one of his most famous. In fact, it's not even part of his folio. Scholars of Shakespeare argue that "Pericles" was only partially written (the first part written by John Wilkins, the rest by Shakespeare).
A potential suitor to King Antiochus's daughter, Pericles has to answer a riddle or die. However, the answer to this riddle reveals the hidden secret of the incestuous relationship between King Antiochus and his daughter. The discovery of this secret causes Pericles to flee back to Tyre and ventures around, where he marries the daughter of King Simonides. All of the events that unfold are primarily told by narrator Gower, condensing the usual Greek chorus down to one person.
Although Greek plays are full of violence, sex, and plot twists, they are also infamous for their frequent sleep-inducing expositions. The parts written by John Wilkins lack the genius use of language that the Bard is known for.
Faced with this, director R. Kevin Doyle made the wise choice with "Pericles"--he cut it. With this trimmed down version of Pericles, R. Kevin kept the idea of Hawaii Shakespeare Festival (by showcasing Shakespeare's work, not some John Wilkins) while keeping the plot points that were necessary in "Pericles." It also made the show a hell of a lot more interesting.
To solve the problem of the expositions, R. Kevin put Gower (played by Eden-Lee Murray) center stage, making her visible for most of the play. Instead of being a detached third-person narrator, Eden-Lee plays Gower with entrancing charm and energy as she commanded the onstage puppets (yes. There are puppets), and even pausing on-stage action with a bang of her staff.
If your thoughts are still on the previous statement on puppets, yes. To restate again, there are puppets. Mostly puppets on sticks, but they do well to entertain the few that may fall bored from Eden-Lee's well executed (but many) monologues of exposition. These do well to further the idea that Gower is not just telling a story, but putting on the show for us.
There are also dances, about five, throughout the play. These dances succeed in establishing the mood, however, and you definitely should not write off these little dancing segments as obligatory means to show off choreography. However, the men's dance (pictured above) features the always entertaining Samoan slap dance.
The stage is set in a round, with a simple set, and simple lighting. Set pieces would be tiresome, since the location of scenes change frequently. Instead, a huge ensemble cast accompany Pericles (played by Q) as pirates, prostitutes, kings, and knights as he journeys from place to place. The stage is easily transformed from scene to scene with the help of few movable set pieces, colorful costuming, and amazing ensemble chemistry.
This week is the last showing of Pericles at Arts at Marks--shows are 7:30 from Wednesday till Saturday, and at 3:30 on Sunday. Ticket prices vary on the day, Wednesday the cheapest. Tickets can be ordered in advance from Brown Paper Tickets or by calling 1-800-838-3006. You can also purchase tickets at the door one hour before show time. Be sure to also check out the last show of The Hawaii Shakespeare Festival--"Merry Wives of Windsor"--also playing at Arts at Marks Garage. Expect it to open the 2nd Friday of August and run until the 23rd of August.